Self-Projection: The Directors Image in Art Cinema Linda Haverty Rugg

ISBN: 9781452941530

Published: June 12th 2014

Unknown Binding

228 pages


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Self-Projection: The Directors Image in Art Cinema  by  Linda Haverty Rugg

Self-Projection: The Directors Image in Art Cinema by Linda Haverty Rugg
June 12th 2014 | Unknown Binding | PDF, EPUB, FB2, DjVu, talking book, mp3, ZIP | 228 pages | ISBN: 9781452941530 | 6.29 Mb

In 1957, a decade before Roland Barthes announced the death of the author, Fran ois Truffaut called for a new era in which films would OC resemble the person who madeOCO them and be OC even more personalOCO than an autobiographical novel. More thanMoreIn 1957, a decade before Roland Barthes announced the death of the author, Fran ois Truffaut called for a new era in which films would OC resemble the person who madeOCO them and be OC even more personalOCO than an autobiographical novel. More than five decades on, it seems that Barthes has won the argument when it comes to most film critics.

The cinematic author, we are told, has been dead for a long time. Yet Linda Haverty Rugg contends not only that the art cinema auteur never died, but that the films of some of the most important auteurs are intensely, if complexly, related to the lives and self-images of their directors. Self-Projection explores how nondocumentary narrative art films create alternative forms of collaborative self-representation and selfhood.The book examines the work of celebrated directors who plant autobiographical traces in their films, including Truffaut, Bergman, Fellini, Tarkovsky, Herzog, Allen, Almodvar, and von Trier.

It is not simply that these directors, and many others like them, make autobiographical references or occasionally appear in their films, but that they tie their films to their life stories and communicate that link to their audiences. Projecting a new kind of selfhood, these directors encourage identifications between themselves and their work even as they disavow such connections. And because of the collaborative and technological nature of filmmaking, the directorOCOs self-projection involves actors, audience, and the machines and institution of the cinema as well.Lively and accessible, Self-Projection sheds new light on the films of these iconic directors and on art cinema in general, ultimately showing how film can transform not only the autobiographical act but what it means to have a self.



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